{"id":2211,"date":"2026-10-30T21:03:38","date_gmt":"2026-10-30T20:03:38","guid":{"rendered":"http:\/\/wp2.jlfaure.fr\/index.php\/2026\/10\/30\/trois-faces-technique-mixte-65x50cm-2026\/"},"modified":"2026-11-03T11:12:24","modified_gmt":"2026-11-03T10:12:24","slug":"trois-faces-technique-mixte-65x50cm-2026","status":"publish","type":"post","link":"https:\/\/www.jlfaure.fr\/index.php\/2026\/10\/30\/trois-faces-technique-mixte-65x50cm-2026\/","title":{"rendered":""},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\"><strong>LE TEMPS DE L\u2019ARAIGN\u00c9E ET DU MOLLUSQUE<\/strong>, 2026<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2013 Technique mixte sur papier<br \/>\n\u2013 <strong>65 x 50 cm<\/strong>, Paris<\/span><\/p>\n<p data-path-to-node=\"3\">Une ossature graphique d&#8217;encre noire et de lavis gris incise la blancheur du papier pour faire surgir <strong>une cr\u00e9ature hybride aux contours dentel\u00e9s.<\/strong> Loin des fluidit\u00e9s aqueuses, l&#8217;\u0153uvre s&#8217;articule autour d&#8217;<strong>un r\u00e9seau de lignes denses, d&#8217;ar\u00eates aigu\u00ebs et d&#8217;angles incisifs qui verrouillent le plan<\/strong>. Au c\u0153ur de cette architecture convulsive, le regard se heurte \u00e0 une dissym\u00e9trie f\u00e9roce : \u00e0 gauche, un \u0153il cyclop\u00e9en cern\u00e9 d&#8217;orbes concentriques agit comme une lentille hypnotique, tandis qu&#8217;\u00e0 droite, une alv\u00e9ole angulaire s&#8217;ouvre sur une pupille fendue.<\/p>\n<p data-path-to-node=\"4\">L&#8217;arri\u00e8re-plan, balay\u00e9 par un lacis de traits gris clair en forme d&#8217;ondes ou de toile d&#8217;araign\u00e9e, prolonge la tension du sujet central dans tout l&#8217;espace. <strong>Le corps, esquiss\u00e9 en \u00e9paules sombres au bas de la feuille, sert de socle \u00e0 ce totem organique \u00e0 la fois mou et ac\u00e9r\u00e9<\/strong>. Entre <strong>la d\u00e9glutition lente du mollusque et le pi\u00e8ge tendu de l&#8217;arachnide<\/strong>, le dessin fixe l&#8217;ossature d&#8217;une pens\u00e9e captive de son propre tissu.<\/p>\n<p data-path-to-node=\"4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2421\" src=\"http:\/\/wp2.jlfaure.fr\/wp-content\/uploads\/2026\/10\/LE-TEMPS-DE-LARAIGNEE-ET-DU-MOLLUSQUE-MS-231x300.jpg\" alt=\"\" width=\"588\" height=\"762\" srcset=\"https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/LE-TEMPS-DE-LARAIGNEE-ET-DU-MOLLUSQUE-MS-231x300.jpg 231w, https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/LE-TEMPS-DE-LARAIGNEE-ET-DU-MOLLUSQUE-MS-790x1024.jpg 790w, https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/LE-TEMPS-DE-LARAIGNEE-ET-DU-MOLLUSQUE-MS-768x996.jpg 768w, https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/LE-TEMPS-DE-LARAIGNEE-ET-DU-MOLLUSQUE-MS.jpg 1119w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LE TEMPS DE L\u2019ARAIGN\u00c9E ET DU MOLLUSQUE, 2026 \u2013 Technique mixte sur papier \u2013 65 x 50 cm, Paris Une ossature graphique d&#8217;encre noire et de lavis gris incise la blancheur du papier pour faire surgir une cr\u00e9ature hybride aux contours dentel\u00e9s. Loin des fluidit\u00e9s aqueuses, l&#8217;\u0153uvre s&#8217;articule autour d&#8217;un r\u00e9seau de lignes denses, d&#8217;ar\u00eates &hellip; <a href=\"https:\/\/www.jlfaure.fr\/index.php\/2026\/10\/30\/trois-faces-technique-mixte-65x50cm-2026\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2211","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-2026-d"],"_links":{"self":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2211"}],"version-history":[{"count":6,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2211\/revisions"}],"predecessor-version":[{"id":2422,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2211\/revisions\/2422"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/media\/2210"}],"wp:attachment":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}