{"id":2163,"date":"2026-10-30T16:43:30","date_gmt":"2026-10-30T15:43:30","guid":{"rendered":"http:\/\/wp2.jlfaure.fr\/index.php\/2026\/10\/30\/homme-oiseau-2011\/"},"modified":"2026-11-02T15:45:37","modified_gmt":"2026-11-02T14:45:37","slug":"homme-oiseau-2011","status":"publish","type":"post","link":"https:\/\/www.jlfaure.fr\/index.php\/2026\/10\/30\/homme-oiseau-2011\/","title":{"rendered":""},"content":{"rendered":"<p><strong>HOMME OISEAU,<\/strong> 2011<\/p>\n<p>&#8211; Technique mixte sur papier<br \/>\n<strong>&#8211; 41 x 31 cm, <\/strong>Paris<\/p>\n<div class=\"os-gallery-tabs-main-65_109380791\">\n<div class=\"os-cat-tab-images\">\n<div id=\"cat-74-65_109380791\" data-cat-id=\"74\"><\/div>\n<\/div>\n<\/div>\n<p data-path-to-node=\"3\">\u0152uvre pivot de sa collection, cet\u00a0<strong><em>Homme Oiseau<\/em>\u00a0<\/strong>de 2011 r\u00e9v\u00e8le une facette onirique du travail de Jean-Luc Faure, o\u00f9 l\u2019h\u00e9ritage de l\u2019<strong>automatisme surr\u00e9aliste<\/strong>\u00a0rencontre l\u2019inventivit\u00e9 de la figure recompos\u00e9e ch\u00e8re \u00e0\u00a0<strong>Arcimboldo<\/strong>. L\u2019artiste ne cherche pas \u00e0 copier le vivant, mais \u00e0 laisser l\u2019identit\u00e9 du sujet s&#8217;extraire du chaos par la puissance du geste.<\/p>\n<p data-path-to-node=\"4\"><strong>La Magie de l\u2019Inattendu<\/strong>\u00a0Ici, la rencontre du papier et de l&#8217;aquarelle op\u00e8re une v\u00e9ritable m\u00e9tamorphose. <strong>Faure<\/strong> utilise l&#8217;eau et le pigment pour laisser advenir des formes impr\u00e9visibles, o\u00f9 chaque t\u00e2che et chaque trait participent \u00e0 une\u00a0<strong>recomposition anatomique<\/strong>. Le visage, tel un puzzle organique, se structure \u00e0 travers un foisonnement d&#8217;\u00e9l\u00e9ments qui semblent dot\u00e9s d&#8217;une vie propre. La figure de l&#8217;oiseau, d\u00e9j\u00e0 omnipr\u00e9sente, se niche au c\u0153ur de cette architecture graphique, agissant comme un symbole de libert\u00e9 et de mutation constante.<\/p>\n<p data-path-to-node=\"5\"><strong>Un Portrait de l&#8217;Invisible<\/strong>\u00a0L&#8217;influence d&#8217;Arcimboldo se manifeste dans cette capacit\u00e9 \u00e0 construire un portrait par l&#8217;accumulation de d\u00e9tails vivants, mais <strong>Faure<\/strong> y ajoute une\u00a0<strong>nervosit\u00e9 contemporaine<\/strong>. Ce n\u2019est plus un assemblage de fruits ou de fleurs, mais un entrelacs de \u00ab fils imaginaires \u00bb et de souffles color\u00e9s qui r\u00e9v\u00e8lent une identit\u00e9 multiple. Ce dessin marque ainsi la naissance d&#8217;un regard o\u00f9 le portrait devient un paysage int\u00e9rieur, une fen\u00eatre ouverte sur le merveilleux et l&#8217;inconscient.<\/p>\n<p><strong>Prix :<\/strong>\u00a0750,00 \u20ac TTC<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2381\" src=\"http:\/\/wp2.jlfaure.fr\/wp-content\/uploads\/2026\/10\/Homme-oiseau-2011-232x300.jpg\" alt=\"\" width=\"588\" height=\"762\" srcset=\"https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/Homme-oiseau-2011-232x300.jpg 232w, https:\/\/www.jlfaure.fr\/wp-content\/uploads\/2026\/10\/Homme-oiseau-2011.jpg 463w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HOMME OISEAU, 2011 &#8211; Technique mixte sur papier &#8211; 41 x 31 cm, Paris \u0152uvre pivot de sa collection, cet\u00a0Homme Oiseau\u00a0de 2011 r\u00e9v\u00e8le une facette onirique du travail de Jean-Luc Faure, o\u00f9 l\u2019h\u00e9ritage de l\u2019automatisme surr\u00e9aliste\u00a0rencontre l\u2019inventivit\u00e9 de la figure recompos\u00e9e ch\u00e8re \u00e0\u00a0Arcimboldo. L\u2019artiste ne cherche pas \u00e0 copier le vivant, mais \u00e0 laisser l\u2019identit\u00e9 &hellip; <a href=\"https:\/\/www.jlfaure.fr\/index.php\/2026\/10\/30\/homme-oiseau-2011\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\"><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2162,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-2163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2011-2012-d"],"_links":{"self":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2163"}],"version-history":[{"count":4,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2163\/revisions"}],"predecessor-version":[{"id":2382,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/posts\/2163\/revisions\/2382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/media\/2162"}],"wp:attachment":[{"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jlfaure.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}